Young-Hoon works for his mother’s restaurant, but he prefers hanging out with his friends. He then meets Yeun-ah, a tough lady that works in a room salon as a barmaid. She takes the initiative by coming to his restaurant, when he is working, and propositions him in a playful way. They become a couple, but their relationship is always volatile. They fight constantly (physically and verbally), but the next moment kiss and make up. Meanwhile, Young-Hoon already has another girlfriend, who is his finance!

Composed of 8 episodes that are each about 6 minutes long, the drama tells interesting stories of a couple in an office-dating relationship. Even though each clip is short, the web drama as a whole offers various sides of office dating such as heart-throbbing moments before the relationship blooms and little misunderstanding and difficulties arise in a relationship.

As their relationship unravels, the trip takes a deadly turn. A masked hunter emerges from the wasteland, dragging them into a sadistic game of cat and mouse. Is this a random act of violence, or something far more calculated? All the while, a mysterious comet streaks across the sky, growing larger by the day. Scientists warn it could be an alien probe. As global anxiety builds, Luna must face not just the predator in the desert but the terrifying possibility that humanity’s end is hurtling toward them from the stars.

This is the story of Arthur Doyle, once a promising saxophonist in the New York school of Jazz' New Thing in the late 1960s and 1970s. Doyle, like many of his contemporaries, has struggled to maintain a healthy balance between life and music. The evidence of years spent pursuing a completely original sound is all around him. It is in his eyes, in his home and in the voices of his family. This film tells the story of a man who managed to live through his relationship with music. Now nearly 70, Doyle seems to be defying those forces that would keep him as a footnote in the history of American music. 　　—Anonymous

Maria Garcia (Carmen Maura) is a television journalist and she's about to be a single mother. Her career foremost in her mind, she doesn't slow down even for a minute, despite her pregnancy. She is, however, taking Lamaze classes and is quite competently coping with the romantic attentions of a man she's not very interested in. It's not at all irrelevant that her news beat includes stories on terrorism, the greenhouse effect, pollution and genetic engineering, because when her baby's due date comes and goes, she starts hearing from her infant from in the womb. It is telling her that it and many other babies are refusing to be born into such a horrible world. She learns that this is true, and that the children born through induced labor are dying.

At the beginning of the 20th century, the arrival of a man on the Breton coast near Saint-Malo fills him with awe as he observes the devoted, courageous sailors and their wives waiting for them on the shore. Among them is a young laundress, whose charm does not leave him indifferent, waiting for her beloved, who left for sea months ago. When the ship returns, her fiancé is dead. He then decides to join these valiant men and, through his dedication, prove his love to the young woman.

Borrowing words from Laura Mark's 'Transnational Object' and DW Winnicott's 'Transitional Object', all carefully etched into the 16mm film surface, Nazli Dinçel's latest work BETWEEN RELATING AND USE is an attempt to work ethically in a foreign land. Transitioning from assuming the position of an ethnographer, we turn and explore inwards – on how we use our lovers.

A common day in Stockholm some people face major changes. The owner of a fur shop meets an animal rights activist. A priest has restrictions on Saint Lucy's Day. An old woman evicts and a young man disappoints his father.